With this sentence, I start a new essay. | Its concept is twelve years in the making. | |
Starting January 1, 2023, I will begin calling everyone in my phonebook. That's 431 calls total, or 1.18 per day for a year. | ||
I am wary of this text [already] because it isn't mine. (Replace "text" with "life.") | ||
How to begin writing a text for which I won't be the author? I stall by calling forth this prolegomenon. | My first false start was at a bonfire in 2015. I swiped through the digital rolodex as if it was a roulette wheel, and it landed on RM. I sputtered a bit before he hung up. Where I meant to break the seal, instead I soldered it shut. | |
"Each act of reading the 'text' is a preface to the next. The reading of a self-professed preface is no exception to this rule" (Spivak xii). Might someone, somewhere already be rereading the book I have not even begun writing? | ||
The database is especially full of area codes in PA, OH, DE, AZ, and CA. My main milieus, strange avenues. | ||
This essay is no one's. Instead, "the text belongs to language, not to the sovereign and generating author" (Spivak, lxxiv). | I will call everyone, no exceptions: my best friend from the old neighborhood in Southwestern Pennsylvania; my old boss/lifeguard captain in Rehoboth Beach, Delaware; whoever picks up at the Buffalo Wild Wings in Akron, Ohio; my ex-fiancée's mom in Myrtle Beach, South Carolina; my estranged and incarcerated cousin in Huntsville, Alabama; my son's best friend's mom's best friend in Flagstaff, Arizona. | |
I will likely call you too. |
Epistemologically, the blind spot is where I wonder what you know about the frequency of my voice or the swirl of hair on the back of my head. It is what you whisper about me when I leave the room, the state, this relationship.
How about a new slur for millennials? Now they call us Generation Mute. An article by Alex Jeffries begins, “Ring, ring! Who’s there? If you’re a millennial, you have no idea.” Studies report that seventy-five percent of millennials screen their calls due to apprehension anxiety. | Most contacts in my phonebook are millennials, meaning perhaps I’ll only reach 153 of you —at least initially. I will call back. I will get through. | |
Starting January 1, 2023, I will begin calling everyone in my phonebook. That's 431 calls total, or 1.18 per day for a year. | ||
I probably have “telephonophobia” too but have irreversibly committed myself to this dare | , a self-administered immersion therapy. | |
“I do not care so much what I am to others as I care what I am to myself” (Montaigne). But what if we are made through others? | I am calling…
| |
In “Son,” Forrest Gander writes, “I gave my life to strangers; I kept it from the ones I love.” |
—The project as I thought it would be:an anthology of the voices of Indian women.. . .—The project as I wrote it: a tilted plane.
You think; therefore, I am. | I am building a new kind of answering machine. (This is not about posterity.) | |
What then to do with the data of 431 phone calls? I will use a call recorder (Rev), transcription service (otter.ai), data analytics software (Dedoose), word processor (MS Word), and digital sound workstation (GarageBand) to create an audio-biography, a composite anti-memoir in the second-person comprised of my concatenated acquaintances. | ||
Derrida’s différance indicates both difference in and deferral of meaning. | ||
Through différance, “meaning is disseminated across the text and can be found only in traces, in the unending chain of signification” (Mambrol). | The Calling Party is a collective heterobiography that signals the death of compartmentalization. A fuzzy feedback arena. | |
One may choose to listen by area code/milieu. Or filter by theme. To hear all responses to, “What would be a fitting way for me to die?” in succession, by toggling to Q13. There’s a randomizer too that produces a new text each time it is refreshed, resulting in a collage of sound bites. When I press that button on January 1, 2024, the resulting text will be the basis for the official codex for The Calling Party. |
Lawrence Lenhart is the author of The Well-Stocked and Gilded Cage (Outpost19), Backvalley Ferrets: A Rewilding of the Colorado Plateau (UGA: Crux), and Of No Ground: Small Island/Big Ocean Contingencies (WVU: In Place). With William Cordeiro, he wrote Experimental Writing: A Writer's Guide and Anthology (Bloomsbury, forthcoming). His prose appears in journals like Creative Nonfiction, Fourth Genre, Gulf Coast, Passages North, and Prairie Schooner. He is Associate Chair of English at Northern Arizona University and Executive Director of the Northern Arizona Book Festival.